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<\/p>\nA master\u2019s thesis entitled (Fantasy in the Umayyad Poetry) was discussed on September 5, 2023, at the college of Arts\/ Arabic Language department, Al-Atheer Hall, and a number of the department teachers as well as postgraduate students attended the discussion.
\nThe study, presented by Nashwa Khalil Ibrahim, aimed at responding to the claim that fantasy was a property of the prosaic narration more than poetry. The response came through reading selected samples of the Umayyad poetry in addition to investigating the fantasy techniques and characteristics in the structure of the poetic texts and the extent to which they apply. In addition, the study revealed the presence of fantasy in the Umayyad poetry and the references from which it was deduced, as well as revealing the role and the goal of fantasy along with its significance in the poetic text.
\nThe discussion committee was composed of:
\nProfessor Mohammed Saeed Al-Jubori\/ college of Education for girls\/Tikrit university\/chairman
\nProfessor Salih Mohammed Ardiny\/ college of Basic Education\/ Mosul university\/ member<\/p>\n
Assistant Professor Salah Ahmed Salih\/ college of Arts\/ Mosul university\/ member
\nAssistant Professor Ann Tahseen Al-Chalabi\/ college of Arts\/ Mosul university\/ member and supervisor<\/p>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"
A master\u2019s thesis entitled (Fantasy in the Umayyad Poetry) was discussed on September 5, 2023, at the college of Arts\/ Arabic Language department, Al-Atheer Hall, and a number of the department teachers as well as postgraduate students attended the discussion. The study, presented by Nashwa Khalil Ibrahim, aimed at responding to the claim that fantasy was a property of the prosaic narration more than poetry. The response came through reading selected samples of the Umayyad poetry in addition to investigating the fantasy techniques and characteristics in the structure of the poetic texts and the extent to which they apply. In addition, [Read More]<\/a><\/p>\n","protected":false},"author":16,"featured_media":38456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-38455","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viva"],"_links":{"self":[{"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/posts\/38455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/comments?post=38455"}],"version-history":[{"count":2,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/posts\/38455\/revisions"}],"predecessor-version":[{"id":38460,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/posts\/38455\/revisions\/38460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/media\/38456"}],"wp:attachment":[{"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/media?parent=38455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/categories?post=38455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/arts\/wp-json\/wp\/v2\/tags?post=38455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}