{"id":37730,"date":"2024-09-22T06:59:35","date_gmt":"2024-09-22T06:59:35","guid":{"rendered":"https:\/\/uomosul.edu.iq\/en\/finearts\/?page_id=37730"},"modified":"2024-09-22T06:59:35","modified_gmt":"2024-09-22T06:59:35","slug":"published-articles-plastic-arts","status":"publish","type":"page","link":"https:\/\/uomosul.edu.iq\/en\/finearts\/published-articles-plastic-arts\/","title":{"rendered":"Published Articles \u2013 Plastic Arts"},"content":{"rendered":"<h4 class=\"fusion-responsive-typography-calculated\" data-fontsize=\"18\" data-lineheight=\"27px\">Prof. Hamid I. Al-Rashidy<\/h4>\n<ol>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=UWqoyaoAAAAJ&amp;citation_for_view=UWqoyaoAAAAJ:u-x6o8ySG0sC\">The Concept of Single-Dimension in Contemporary Iraqi Art<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=UWqoyaoAAAAJ&amp;citation_for_view=UWqoyaoAAAAJ:u5HHmVD_uO8C\">Religious and Social Utilization in the Works of Artists Bruegel and Bosch: A Comparative Study<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=UWqoyaoAAAAJ&amp;citation_for_view=UWqoyaoAAAAJ:d1gkVwhDpl0C\">The Audience Demographics of Visual Art Exhibitions (The Role of Art Exhibitions in Baghdad as a Model): A Statistical Study<\/a><\/li>\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/1kwM_aLqNlKeeDrMW8RKr2wnIctNDtq-a\/view?usp=drive_link\">Reception in Contemporary Art<\/a><\/li>\n<\/ol>\n<h4 class=\"fusion-responsive-typography-calculated\" data-fontsize=\"18\" data-lineheight=\"27px\">Dr. Alwan Kh. Mahmood<\/h4>\n<ol>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=AriE9lgAAAAJ&amp;citation_for_view=AriE9lgAAAAJ:u5HHmVD_uO8C\">Manifestations of Meaning and Non-Meaning in Philosophy and Criticism<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=AriE9lgAAAAJ&amp;citation_for_view=AriE9lgAAAAJ:u-x6o8ySG0sC\">The Representations of Intention and Non-Intention Meaning in Philosophy and Criticism<\/a><\/li>\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/1AfGFBFzwqsToqEMSmQEi7R14R-T9W_KC\/view?usp=drive_link\">Critical Paranoia in the Works of Surrealist Artists<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=AriE9lgAAAAJ&amp;citation_for_view=AriE9lgAAAAJ:2osOgNQ5qMEC\">Manifestations of Meaning and Non-Meaning in Modern Art \u2013 A Doctoral Thesis<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=AriE9lgAAAAJ&amp;citation_for_view=AriE9lgAAAAJ:d1gkVwhDpl0C\">Cultural Heritage in Contemporary Visual Art<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=AriE9lgAAAAJ&amp;citation_for_view=AriE9lgAAAAJ:9yKSN-GCB0IC\">Consciousness and Unconsciousness in Modern European Art \u2013 A Master\u2019s Thesis<\/a><br \/>\n<strong>_____________________________<\/strong><\/li>\n<\/ol>\n<h4 class=\"fusion-responsive-typography-calculated\" data-fontsize=\"18\" data-lineheight=\"27px\">Dr Hassan M. Zaki<\/h4>\n<ol>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:u-x6o8ySG0sC\">Methods of Numerical Evaluation of Boundary Detection Quality in Images<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:UeHWp8X0CEIC\">Modification of the Zong-Sun Skeletonization Algorithm for Handwritten Character Recognition Tasks<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:9yKSN-GCB0IC\">Comparison of Line Thinning Algorithms<\/a><\/li>\n<li><u><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:Y0pCki6q_DkC\">Color Pattern Steganography in Images<\/a><\/u><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:IjCSPb-OGe4C\">Features for Comparing Skeleton Graphs<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:qjMakFHDy7sC\">On the Modification of Skeletonization Algorithms for Handwritten Character Recognition Tasks<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:d1gkVwhDpl0C\">Handwritten Character Recognition<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:u5HHmVD_uO8C\">On the Wavelet-Based Image Graph Construction Algorithm for Handwritten Character Recognition<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:Tyk-4Ss8FVUC\">About Handwritten Character Analysis Algorithms<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:zYLM7Y9cAGgC\">Modification of the Wavelet-Based Image Line Extraction Algorithm<\/a><\/li>\n<li><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ar&amp;user=pvCmPe4AAAAJ&amp;citation_for_view=pvCmPe4AAAAJ:2osOgNQ5qMEC\">Symbol Classification Using Graph Topological Properties<\/a><br \/>\n<strong>_____________________________<\/strong><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Prof. Hamid I. Al-Rashidy The Concept of Single-Dimension in Contemporary Iraqi Art Religious and Social Utilization in the Works of Artists Bruegel and Bosch: A Comparative Study The Audience Demographics of Visual Art Exhibitions (The Role of Art Exhibitions in Baghdad as a Model): A Statistical Study Reception in Contemporary Art Dr. Alwan Kh. Mahmood Manifestations of Meaning and Non-Meaning in Philosophy and Criticism The Representations of Intention and Non-Intention Meaning in Philosophy and Criticism Critical Paranoia in the Works of Surrealist Artists Manifestations of Meaning and Non-Meaning in Modern Art \u2013 A Doctoral Thesis Cultural Heritage in Contemporary Visual Art <a href=\"https:\/\/uomosul.edu.iq\/en\/finearts\/published-articles-plastic-arts\/\"> [Read More]<\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-37730","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages\/37730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/comments?post=37730"}],"version-history":[{"count":3,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages\/37730\/revisions"}],"predecessor-version":[{"id":37826,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages\/37730\/revisions\/37826"}],"wp:attachment":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/media?parent=37730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}