{"id":37738,"date":"2024-09-22T06:59:57","date_gmt":"2024-09-22T06:59:57","guid":{"rendered":"https:\/\/uomosul.edu.iq\/en\/finearts\/?page_id=37738"},"modified":"2024-09-22T06:59:57","modified_gmt":"2024-09-22T06:59:57","slug":"graduation-projects-theatrical-arts","status":"publish","type":"page","link":"https:\/\/uomosul.edu.iq\/en\/finearts\/graduation-projects-theatrical-arts\/","title":{"rendered":"Graduation Projects \u2013 Theatrical Arts"},"content":{"rendered":"<p><a href=\"https:\/\/uomosul.edu.iq\/public\/files\/datafolder_3119\/_20220427_094753_970.pdf\">Conflict transformations in monodramatic theatre texts<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/public\/files\/datafolder_3121\/_20220509_101134_970.pdf\">Representations of madness in monodrama texts\u00a0<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/public\/files\/datafolder_3145\/_20220731_022726_350.pdf\">Actor&#8217;s performance characteristics in street theatre show\u00a0<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/public\/files\/datafolder_3145\/_20220731_022801_790.pdf\">The theatrical presentation language in epic and celebratory theatre (a theoretical study)\u00a0<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/finearts\/wp-content\/uploads\/sites\/26\/2023\/09\/%D8%A8%D8%AD%D8%AB-%D8%AC%D9%85%D8%A7%D9%84%D9%8A%D8%A7%D8%AA-%D8%A7%D9%84%D9%81%D8%B1%D8%AC%D8%A9-%D9%81%D9%8A-%D8%A7%D9%84%D8%B9%D8%B1%D8%B6-%D8%A7%D9%84%D9%85%D8%B3%D8%B1%D8%AD%D9%8A-%D8%A7%D9%84%D8%B4%D8%B1%D9%82%D9%8A-%D8%A7%D9%84%D9%85%D8%B3%D8%B1%D8%AD-%D8%A7%D9%84%D9%87%D9%86%D8%AF%D9%8A-%D9%86%D9%85%D9%88%D8%B0%D8%AC%D8%A7.pdf\">Aesthetics of spectatorship in Eastern theatre performances, Indian theatre as a model<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/finearts\/wp-content\/uploads\/sites\/26\/2023\/09\/%D8%A8%D8%AD%D8%AB-%D8%A7%D9%84%D8%AA%D8%BA%D8%B1%D9%8A%D8%A8-%D9%81%D9%8A-%D8%B9%D8%B1%D9%88%D8%B6-%D8%A7%D9%84%D9%85%D8%B3%D8%B1%D8%AD-%D8%A7%D9%84%D9%85%D9%84%D8%AD%D9%85%D9%8A.pdf\">Alienation in Epic Theater Performances<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/finearts\/wp-content\/uploads\/sites\/26\/2023\/09\/%D8%A8%D8%AD%D8%AB-%D8%AE%D8%B5%D8%A7%D8%A6%D8%B5-%D8%A7%D8%AF%D8%A7%D8%A1-%D8%A7%D9%84%D9%85%D9%85%D8%AB%D9%84-%D9%81%D9%8A-%D8%B9%D8%B1%D9%88%D8%B6-%D9%85%D8%B3%D8%B1%D8%AD-%D8%A7%D9%84%D8%B4%D8%A7%D8%B1%D8%B9-%D8%A7%D9%84%D8%AB%D8%A7%D9%86%D9%8A.pdf\">Performance characteristics in the Second Street Theater show<\/a><br \/>\n<a href=\"https:\/\/uomosul.edu.iq\/finearts\/wp-content\/uploads\/sites\/26\/2023\/09\/%D8%A8%D8%AD%D8%AB-%D8%AE%D8%B5%D8%A7%D8%A6%D8%B5-%D8%AA%D8%AD%D9%88%D9%84%D8%A7%D8%AA-%D8%A7%D9%84%D8%B4%D8%AE%D8%B5%D9%8A%D8%A9-%D9%81%D9%8A-%D8%A7%D8%AF%D8%A7%D8%A1-%D8%A7%D9%84%D9%85%D9%85%D8%AB%D9%84-%D8%A7%D9%84%D9%85%D9%88%D9%86%D9%88%D8%AF%D8%B1%D8%A7%D9%85%D9%8A-%D9%85%D8%B6%D8%BA%D9%88%D8%B7.pdf\">Character transformations in the performance of the monodramatic actor<\/a><\/p>\n<h4><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Conflict transformations in monodramatic theatre texts Representations of madness in monodrama texts\u00a0 Actor&#8217;s performance characteristics in street theatre show\u00a0 The theatrical presentation language in epic and celebratory theatre (a theoretical study)\u00a0 Aesthetics of spectatorship in Eastern theatre performances, Indian theatre as a model Alienation in Epic Theater Performances Performance characteristics in the Second Street Theater show Character transformations in the performance of the monodramatic actor<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-37738","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages\/37738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/comments?post=37738"}],"version-history":[{"count":2,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages\/37738\/revisions"}],"predecessor-version":[{"id":37822,"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/pages\/37738\/revisions\/37822"}],"wp:attachment":[{"href":"https:\/\/uomosul.edu.iq\/en\/finearts\/wp-json\/wp\/v2\/media?parent=37738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}