eLibrary

Articles:

Prof. Nashat M. Sliwa

  1. The philosophy of physical and sensory communication in the dramatic show
  2. Psychological stimulation as a performance technique in monodrama performances
  3. A performance approach between Wagner’s theory of rhythmic stimulation and Meyerchold’s method of training the actor
  4. Body narratives in Indian contemporary theater
  5. Ritualistic Authenticity in Performances in the Theater of the Oppressed
  6. Mechanisms of Body Utilization in Theater of Cruelty and Biomechanical Techniques
  7. Characterization in the Theatrical Text
  8. Celebratory Aspects of Actor Performance in Syriac Theater
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Asst. Prof. Musaab I. Mohammed

  1. The Theory of Relativity and Its Representations in Iraqi Theater
  2. The Interaction of Imagination and Materiality in the Theater of Death and Its Applications in Iraqi Theater Productions
  3. Body narratives in Indian contemporary theater‏
  4. Aesthetics of Dynamic Compositions in Group Performances at the College of Fine Arts – University of Mosul
  5. Theatrical Viewing and the Physical Performance Effectiveness of Indian Contemporary Theater Actors
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Prof. Bashar A. Mohammed

  1. Reduction as a Structural Concept in Contemporary Theater Performances
  2. The Interplay of Imagination and Materiality in the Theater of Death and Its Applications in Iraqi Theater Productions
  3. Mechanisms of Body Utilization in the Theater of Cruelty and the Technique of Biomechanics
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 Prof. Hamid I. Al-Rashidy

  1. The Concept of Single-Dimension in Contemporary Iraqi Art
  2. Religious and Social Utilization in the Works of Artists Bruegel and Bosch: A Comparative Study
  3. The Audience Demographics of Visual Art Exhibitions (The Role of Art Exhibitions in Baghdad as a Model): A Statistical Study
  4. Reception in Contemporary Art
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Asst. Prof. Omar M. Jindary

  1. The Philosophy of Multiverse in Theater Productions
  2. The Duality of Conquest and Defeat in Shakespearean Tragedies’ Texts
  3. The Artistry of Zigmunt Bauman and Its Representation in Iraqi Theater
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Asst. Prof. Hadeel S. Ismaeel

  1. The Level of Alignment Between Pedagogical Teachers’ Expectations and Their Students’ Attitudes Toward Them
  2. Factors for Enhancing the Artistic Curriculum: Perspectives from Faculty Members at the College of Fine Arts, University of Mosul
  3. The Role of Educational Curriculum in Combating Violence: Perspectives of Teachers
  4. Scientific Research Awareness and Understanding of Science Nature Among Secondary School Students in Mosul City
  5. Evaluating the Art Education Curriculum: Perspectives of Teachers and Students in Ninawa Governorate
  6. A Proposed Aesthetic Education Curriculum for Elementary School in Ninawa Governorate
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Prof. Mohammed I. Al-Taei

  1. Digital Technology in Children’s Theater Productions
  2. Analyzing Aesthetic Responses of Elementary School Students to Educational Theater Performances
  3. The effectiveness of pantomime in the development of movement skills for Kindergarten
  4. The Impact of Curriculum Theater on Arabic Language Acquisition and Motivation Among Middle School Students
  5. Performance and Acting in Educational Theater
  6. Educational Aspects in Children’s Theater Performances
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Asst. Prof. Munqith M. Faisal

  1. Body narratives in Indian contemporary theater‏
  2. Improvisation as a Performance Technique in Theater Productions for the Persecuted
  3. Theatrical Viewing and the Physical Performance Effectiveness of Indian Contemporary Theater Actors
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Asst. Prof. Zaid T. Fadhil

  1. The Free Confluence of the Inebriated Character in Global Theater Texts A Case Study in Whispers in My Healthy Ear
  2. The Rhythm of Character in Poetic Theater: “Ibn al-Ali” Play as a Model
  3. The Totemic Character Discourse in Iraqi Theater – “Al-Jamjama” Play as a Model
  4. Metaphysical Manifestations of Character in Arabic Theater Texts
  5. The Defeated Character in the Theatrical Texts of Nahidh Al-Ramadhani – “Rehearsal for the Fall of Baghdad” Play as a Model
  6. The Enchanting Character in Arabic Theater Texts – “The Lily” Play as a Model
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Dr. Alwan Kh. Mahmood

  1. Manifestations of Meaning and Non-Meaning in Philosophy and Criticism
  2. The Representations of Intention and Non-Intention Meaning in Philosophy and Criticism
  3. Critical Paranoia in the Works of Surrealist Artists
  4. Manifestations of Meaning and Non-Meaning in Modern Art – A Doctoral Thesis
  5. Cultural Heritage in Contemporary Visual Art
  6. Consciousness and Unconsciousness in Modern European Art – A Master’s Thesis
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Dr Hassan M. Zaki

  1. Methods of Numerical Evaluation of Boundary Detection Quality in Images
  2. Modification of the Zong-Sun Skeletonization Algorithm for Handwritten Character Recognition Tasks
  3. Comparison of Line Thinning Algorithms
  4. Color Pattern Steganography in Images
  5. Features for Comparing Skeleton Graphs
  6. On the Modification of Skeletonization Algorithms for Handwritten Character Recognition Tasks
  7. Handwritten Character Recognition
  8. On the Wavelet-Based Image Graph Construction Algorithm for Handwritten Character Recognition
  9. About Handwritten Character Analysis Algorithms
  10. Modification of the Wavelet-Based Image Line Extraction Algorithm
  11. Symbol Classification Using Graph Topological Properties
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Dr Hadeel T. Younis

  1. The effect of both fasting and breakfast after walking (3) km on the response of some hormonal variables and blood picture
  2. Study of Some Biochemical Parameters Related to Heart Function in Ascending and Descending Effort
  3. The Impact of Aerobic Exercise on the Response of Some Antioxidant Variables and Lipid Peroxidation in Blood Serum
  4. The Impact of Non-Aerobic Effort on Hemoglobin and Iron Response in Blood Serum
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Dr. Sameer R. Mamdouh

  1. Laboratory of lived experience: group theatrical experience, atelier fan al-hayat [the art of life]
  2. Laboratory of experience: group theatrical experience, atelier fan al-hayat [the art of life]
  3. Laboratory of Lived Experience: Group Theatrical Experience, Atelier Fan Al-Hayat (The Art of Life)
  4. The Potential of Theatrical Work as a Factor in Individual and Collective Reconstruction in a Post-Traumatic Setting: Group Theatrical Experience, Atelier Fan .
  5. I wondered what I could do in the future as a theater director?
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